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Every Death Matters

by Evoke

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1.
[B] Jump high to the beat We live and we lie and we die to the beat Jump high to the beat We live and we lie and we die to the beat Jump high to the beat We live and we lie and we die to the beat Jump high to the beat We live and we lie and we die [v1] Yo, pissed and I'm coming for the throne Overboard with no remorse or comment Overdose to coat the throat with vomit Coping with the hopelessness I saw that She was just like me She was only tryna get a buzz like me But the cruise set sail and I'm up nightly Cause you think you won't fail but you just might be Gone In a single moment It goes to show the things I know you know Got MDA at the local rave When you can't sneak shit past the NSA Why? It's a total shame The dealers deal and there's no blame I get the feeling you're saving face Cause you know that really you dig a grave Each time you let that shit past the checkpoint How many gotta die for you people to get that? How many lives till you take a step back? You laid the pavement and don't regret that? But you treat it like a minor setback You kick your feet up–lay your head back Make your cash; it's par for the course Lets get back to the norm This is [C] EDM Emotionless dead music Everyone does molly Ecstasy drugs money Every dull moment Endlessly droll motives Empathy don't matter Enter the dull madness EDM Effectively deaf monotony Every DJ mocking me Effortless dance monopoly The dying monarchy End all the data maggots Ensuing demise of manic Electronica dollar magnets [B] Jump high to the beat We live and we lie and we die to the beat Jump high to the beat We live and we lie and we die to the beat Jump high to the beat We live and we lie and we die to the beat Jump high to the beat We live and we lie and we die to the– [v2] So groggy, cold bodies Came to, next to the nobodies Nose:bloody, no money Ills, whiskey and blow Twenty rolls, molly, coke, bottles Rail it up and go full throttle They say that's the way to go But the phrase gets stuck in the throat Let's face it: She was gonna pop a roll, get wasted Chew a damn hole through her face–get a facelift Didn't know what the pill was laced with Threw back three with some vodka to chase it What a shame, she's making a mess Puked on her best friend, bled on her dress Went too far and she's over the edge Two steps over the ledge–this is [C] EDM Emotionless dead music Everyone does molly Ecstasy drugs money Every dull moment Endlessly droll motives Empathy don't matter Enter the dull madness EDM Effectively deaf monotony Every DJ mocking me Effortless dance monopoly The dying monarchy End all the data maggots Ensuing demise of manic Electronica dollar magnets [O] And we live for the beat And we lie to the beat And jump high to the beat We jump high to the beat And we live for the beat And we lie to the beat We jump high to the beat And we die to the–

about

Spread awareness = #EveryDeathMatters

On November 12th, 2015 a young woman walked off the deck of a cruise ship during a festival hosted by Diplo's label: Mad Decent. An astonishing lack of media coverage surfaced from the reporters who were actually on board, to the extent that rumors of a media embargo began to spread. The most accepted explanation for her death was drug use leading to inadvertent suicide. In a few months, the story wasn't catchy anymore, and publications shifted back to their regularly scheduled programing about twitter debates and award nominations.

The EDM scene has a problem. It's one that we don't like to admit, because any attempt to quantify the rave scene as different from other music scenes is scary to people who have spent decades trying to legitimize electronic music as an art form, but if we don't admit our problems, we will never be able to work toward solutions. Ultimately, we have to confront the fact that a huge portion of people at festivals are not there for the music; they're there for the unregulated and easily available drugs. I'm not speaking as an outsider here; the rave scene is one that I spent 4 full years fully immersed in, and I've spent 7 years of my own life trying to explain to people that electronic music IS real music.

I attended my first festival when I was 15, and was high for almost every one I attended throughout my raving years. Getting pills at these events is almost comically easy, and I never once heard of anybody I knew getting caught at a show with drugs. At the level of security, festivals don't care if their patrons are using illegal substances, because it's a big part of the draw. At a government level, the war on drugs has been proven to be almost totally ineffective at preventing addiction, use, and deaths like these. The result is an abundance of varied, unmonitored, and dangerous drugs that are sold openly in the rave scene, in a way that I have not seen in any other music culture.

My own drug addiction was developed through my involvement. I took ecstasy at event after event, with no knowledge of the content of the pills, and I wasn't the youngest person I knew doing so. I had friends as young as 13 who were being fed unknown substances in the company of thousands, with virtually no fear of consequence for the people responsible. Dealing drugs at raves is easy. It is profitable, has very rare repercussions for the dealers, but it can be deadly to the users. The most notable publications that claim to cover EDM almost never draw attention to this problem. It's as if we've accepted that people will die, because the idea of trying to solve the problem is too scary, and parties are too fun.

Don't misunderstand me; I don't mean to condemn EDM entirely–far from it. I've spent almost my whole life raised by this scene, and it has defined me. I simply mean to call attention to the potential that the rave scene has to be completely hollow, and turn a blind eye to our very real drug problem. Musicians in the scene do not address these issues. Publications are even less likely to do so. Festivals are making no public effort to tighten security or prevent these deaths. I hate the idea that this weekend, a pre-teen may take several pills with no clue as to exactly what's in them: pills that walked right by the alleged security checkpoints and were openly sold by a man who had nothing to fear. Something needs to change.

Every death matters.

credits

released February 12, 2016

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Evoke New York, New York

I am fueled by emotion and driven by experience.

All inquiries:
alden@aldengroves.com

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